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During Mike Broussard’s early childhood, his family lived in Shreveport, Louisiana, but later he moved to Vivian where he owned a business and lived out the remainder of his life. The experience described in this song, when Mike was twelve years old, affected his attitude towards race relations from then on.
One of the oldest movie theaters in Shreveport was The Strand. It had different entrances for blacks and whites and water fountains marked for the different races, as well.
During the ’60s, most southern cities had two simultaneous phenomena: demographically a significant percentage of the population was African-American (Shreveport was about 60% black) and as a consequence whites and blacks unofficially interacted a lot. The other aspect was a policy of official segregation. This manifested itself in a myriad of ways beyond the obvious, e.g. separate drinking fountains and different entrances to movie theaters. However, relationships between whites and blacks could be warm and friendly despite official segregation.
Into the demographic mix were other ingredients. Louisiana had a relatively large number of Italian Americans, mostly Sicilians. These immigrants also experienced some discrimination, and in general did not share the otherwise pervasive white attitudes about African-Americans.
When Mike Broussard served in Vietnam he met an African-American from Detroit, D.W. Washington, and they became life-long friends. Mike and D.W. talked about their plans when their tours were over, and D.W. went back to Vivian with Mike and they operated a filling station and auto repair shop for more than forty years. D.W. was Mike’s closest friend (see songs “Sarge“, “Mike & D.W.” and “Out on Cross Lake“).
It was 1960, I was twelve years old
My brother and me went to the picture show
My mother dropped us off gave us each a dollar
To see John Wayne in “The Alamo”
Outside The Strand were two water fountains side by side
One was marked “Colored” the other one, “White”
I didn’t know Bobby Ghio all that well
He’d just moved to Shreveport that year
He was Sicilian, from New Orleans
And was different from the kids ‘round here
He went to the wrong fountain, he didn’t want to wait in line
My mouth was wide open, it kind of blew my mind
It was exceptional
Incredible
To question what we thought was unquestionable
Exceptional
Like climbing a mountain
Or just drinking from a water fountain
Big Mama raised three generations of Broussards
She seemed to me as old as Moses
Taught me right from wrong, and a lot of other stuff
She was black but I didn’t seem to notice
It was an age old line that Bobby Ghio crossed
But when he did it a light bulb went off
It was exceptional …
It was 1960, I was twelve years old
My brother and me went to the picture show
Frank David Leone was born in Shreveport, Louisiana and has lived in the South his entire life with the exception of eight
years in NYC. Leone has also lived and worked at music in Dallas and Nashville. He currently resides in rural Tennessee with his wife and three cats.
His songs have been recorded by Lee Ann Womack, Chris Knight, Rebecca Lynn Howard, and Joy Lynn White, among others....more
Father and daughter team up to make pretty folk music inspired by the day she was born and the day she'll leave home. Bandcamp New & Notable May 5, 2015
Stirring Americana set to acoustic arrangements and topped by the legendary Alice Gerrard’s lovely, world-wise voice. Bandcamp New & Notable Oct 23, 2023
”Seawheel Acoustic” delivers captivating melodies and heartfelt lyrics in songs that are equal parts soothing and enchanting. Bandcamp New & Notable Jul 10, 2023
Tom Houston swings between heartfelt folk and quirky slice-of-life spoken word, augmented with electronics, on his latest LP. Bandcamp New & Notable Nov 15, 2022
The debut album from Leeds-based artist Jake Whiskin is full of atmospheric Americana tinged with hard-hitting classic rock. Bandcamp New & Notable Nov 10, 2022
Kieran Kane & Rayna Gellert offer up a stunning minimalist country record, conjuring huge emotions with little more than vocals & guitar. Bandcamp New & Notable Feb 13, 2022